It obviously depends upon one’s opinion of Animals, but of the many gigs in Europe released by Siréne over the past two years this is among the best. ![]() Some say this concert represents Pink Floyd “playing at their peak” while others claim it is “uninspired” and “mechanical”. Opinion is mixed about this particular performance of the band. The two tape sources for the February 24th show are incomplete but the rest are all complete. Pink Floyd had four shows in Paris between February 22nd – February 25th and audience tapes exist for each of them. It sounds like the Parisians are completely transfixed and transported by the multi-media presentation. The Parisian audience are vocal between songs but are generally quiet during the music so that one can hardly notice their presence unlike other tapes like Anaheim and Miami where the shouting and talking by audience members close to the microphone completely ruin what would otherwise be excellent quality tapes. Siréne is much sharper and well balanced with a clear sound that is highly enjoyable. First Night In Paris, although sounds good, is much more bass heavy and boomier. There are some tape flips but no music is lost and the entire performance, including the four-minute interlude of audience cheering and chanting before the encore, is preserved. The taper was close to the stage and produced a very nice recording. Funhouse ranks with Dragged Down By The Stone in sound quality. The only silver release was offered by Highland on First Night In Paris (HL605/606), whose sound quality is rated below the cdrs. On fan produced cdr it appears on Pavilion de Pigs (FRP CDR-028/29), Pavilion de Paris 25-2-1977 and Animals Over Europe (LAL 1330), the latter crediting it as a tape from the February 20th Antwerp show.ĭragged Down By The Stone several years ago with much improved sound quality and many speculate it is sourced directly from the master. Judging by the number of releases of Pink Floyd’s first show in Paris on the Animals tour, this is one of the most popular. And the point is, it’s all about your village, it’s all about your people, and the circle you create around you to get through all the bullshit in this world.Pavillion de Paris, Paris, France – February 22nd, 1977ĭisc 1: Sheep, Pigs On The Wing 1, Dogs, Pigs On The Wing 2, Pigs (Three Different Ones)ĭisc 2: Shine On You Crazy Diamond (parts 1-5), Welcome To The Machine, Have A Cigar, Wish You Were Here, Shine On You Crazy Diamond (parts 6-9), Money Speaking to Beats 1 host Zane Lowe about 2019’s Hurts 2B Human, she described the album’s title track in classic P!nk fashion-welcoming, human, but with an edge: “Everybody is going through something. In 2012, The Truth About Love marked another career high, tackling marriage, parenthood, and the heft of Real Adult Emotions with a frankness that was funny, touching, and refreshingly unsentimental (“It’s whispered by the angels’ lips,” she sang on the title track, “and it can turn you into a son of a bitch”). (Check out her performance of “Sober” at the 2009 VMAs for proof.) ![]() ![]() She also set new standards as a live act, incorporating aerial dance and acrobatics into her extravagant stage shows. President” or “Who Knew”-who could be a punk one minute and an embracing, almost maternal comfort the next. While her attitude was central to her appeal-whether she was tilting toward rock on 2003’s Try This or tipping back to dance on 2006’s I’m Not Dead-what really set her apart was her versatility: It was hard to imagine another singer capable of tackling something as bitterly sarcastic as “I Got Money Now” (“You don’t have to like me anymore/I’ve got money now”) and then shifting, with total credibility, to “Dear Mr. That style paved the way for artists like Halsey, Kesha, and just about every other major female pop star in her wake. ![]() A year later, she released M!ssundaztood, a leap forward both artistically and commercially, bridging the immediacy of club pop with songs that were confessional, genuine, frustrated, and raw (“Family Portrait,” “Just Like a Pill”). After the demise of her first group, Choice, which was briefly signed to LaFace Records, P!nk released her 2000 debut, Can’t Take Me Home, co-writing more than half the album’s tracks. Pink” character in the Quentin Tarantino film Reservoir Dogs: quippy, edgy, ready for trouble. She started performing in clubs as a teenager, taking her name from Steve Buscemi’s "Mr. As a girl, P!nk (born Alecia Beth Moore in Doylestown, Pennsylvania, in 1979) loved Madonna and Janis Joplin, and tried her hand at opera, show tunes, and punk rock. From the start, P!nk made it her business to be different: “Tired of being compared to damn Britney Spears,” she sang on 2001’s “Don’t Let Me Get Me." “She’s so pretty/That just ain’t me.” Even as she rose in fame, she retained the whiff of an outsider-someone too frank, too unapologetic, too real for the show: not an icon, but a human being.
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